The comedy short film “The MURDER of James Dean”


We are filmmakers; actors, director, cinematographer, crew members, producers. We are coming together from across the country – New York City, Fresno, Los Angeles – to make a smart, entertaining short film that you and Hollywood will enjoy. Join us on Indiegogo at https://igg.me/at/TheMURDERofJamesDean

I’m Michael Barnard.

The rest of our cast and crew are experienced in their field, as actors, cinematographer, crew, and need this opportunity to move up in Hollywood. As soon as you give us the green light, we will make commitments, schedules, and go into production on “The MURDER of James Dean.”

With your greenlight, we will produce a high-quality short film to submit to film festivals and share online. We have the right screenplay, we have the right people, we even have the right equipment. We need you to give us the greenlight so we can go into production and make “The MURDER of James Dean.” We hope to keep you entertained and happy, both with your participation in the production, and with our gifts of appreciation for your support. The film’s message of inclusion and struggle will touch people. And when fame comes, you’ll be with us.

It’s a comedy short film about real human emotions. In “The MURDER of James Dean,” Michael, a down-and-out, over-the-hill screenwriter struggles to regain his footing and the life he knew in Hollywood. It’s the struggle everyone fears.

At the same time, Raymond, a young wannabe film producer struggles to finally open a door of opportunity and a career in Hollywood. It’s the struggle everyone goes through.

Michael and Raymond are from different backgrounds, different ages, different cultures. Both strive to make their own future, using the other as a stepping stone to their goals. That’s the game everyone plays in Hollywood.

A wild conspiracy theory about the death of James Dean brings these two together. There are lots of conspiracy theories in the world, and both recognize this one as a great story that could be made into a great movie.

They have a unique connection to an elderly lawyer who was in Dean’s circle of friends long ago and claims to have proof of the conspiracy. He wants to finally spill the beans, and will tell only Michael and Raymond.

But, it doesn’t go well.

As they struggle to make it work, then watch the opportunity slip away out of their control, they battle each other. Anger, frustration, and fear boil to the surface as their Hollywood game unravels.

In the end, they finally recognize the human relationship that’s more important than the Hollywood games.

Michael is older, a white guy in his late 50s, treated like an over-the-hill has-been writer by Hollywood. Michael is stuck in Fresno after everything falls apart for him.

Raymond is younger, an Hispanic guy in his early 20s, treated like a silly kid from the wrong side of the tracks by Hollywood. Raymond is trying to get out of The Bronx.

Lucy is Michael’s older sister, and she’s just not having his failed ass hanging around her family home in Fresno.

Pat, black, 30ish, and filming partner B.J., black, 20ish (any gender M/F/T to be cast), get sucked into pursuit of the story when asked to film an interview of the man with the conspiracy theory.

And there’s that guy with the conspiracy theory…

Short films are calling cards, door openers for the film/TV business. Commercial and profitable opportunities for short films are still quite rare; the purpose of short films is to entertain audiences and to introduce the filmmakers, cast, and crew to the film/TV industry. A well-done short film can prove to the Hollywood gate-keepers, producers, distributers, and money people that the people who crafted a good short film can be trusted to make a bigger production. That’s the goal for those of us crafting the short film comedy The MURDER of James Dean.

(From “Short of the Week’s Andrew Allen on How to Make the Most of Your Short Film“)

The screenplay has already attracted awards-attention, which is rare for short film scripts. The people involved in the project have experience in production and need to expand their opportunities to go further. With The MURDER of James Dean, we will make an entertaining film that can be competitive on the film festival circuit and online. If the film attracts attention at film festivals and online, as the screenplay itself already has done in contests, we can expect audiences to enjoy it and Hollywood gatekeepers to open up to us. (Filmmaker Michael R. Barnard is in post-production, doing audio fixing, on his current short film “THE CAMERA,” and his previous short film, the ‘no-budget, one-day, one-location, two-people’ “HOT CAR” – consider it R-rated – has been viewed on YouTube more than a quarter-million times.)

For talented actors, a lead role in a well-made and popular short film can open up big opportunities in larger films and TV, expanding careers.

For talented crew in positions such as Director of Photography, Makeup, Sound, and other positions, proving themselves with excellent work using minimum resources can boost a career in film/TV production.

The MURDER of James Dean is likely to be published on IMDb, which is the de facto standard for film/TV credits, making the cast and crew visible and validated to the industry.

These are the reasons for cast and crew to volunteer as a labor of love and an exercise of their artistry to make a good short film. We offer a stipend to each member of the team. The size of our stipend depends on the success and over-funding of this crowdfunding effort.

Filmmaker Michael R. Barnard already owns the production gear necessary for good production of a short film. The equipment package is efficient and good quality; a Sony A7 full-frame mirrorless camera with 50mm f1.8 and 28-70mm f3.5-5.6 lenses plus various adapters and filters, coupled to an Atomos Ninja 2 4:2:2 ProRes recorder and monitor; a Comodo VB-1850 Orbit camera cage for shooting action on the run, a Rhino 48” camera slider, Tascam DAR with boom and microphones, various LED lights, and lightweight camera support and grip equipment. The filmmaker also already owns an editing system running Adobe Premier Pro, After Effects, Photoshop, and more for post-production.

Of course, we have an award-winning screenplay.

Filmmaker Michael R. Barnard has years of experience in film/TV production, including low-budget run-and-gun production. Research the filmmaker’s résumé, LinkedIn, and IMDb. (To be very frank and personal, my career got very bumpy after the triple-whammy of the Writers Strike, the Great Recession, and the death of my passion project. The Writers Strike destroyed my job on a new FOX TV Network series; the Great Recession destroyed signed contracts for me to produce three more feature films; and, my passion project, the feature film screenplay “EVERYBODY SAYS GOODBYE—The Story of a Father and Son,” died after more than a decade and a half of many ‘almost there’ efforts.)

Support us. This is the time.

We are now in an era when human relationships collapse under the shadows of differences and games played, and we need to return from that, to see the humanity in the relationships that surround us.

Spread the word, please. Indiegogo has great tools to help you share this.

In the practical sense, the deadlines for submission to top-tier film festivals, such as Sundance, where I’ve worked for a decade, SXSW in Austin, and others, are rapidly approaching in September. We need to have The MURDER of James Dean completed as soon as possible to submit to those festivals. That gives us only a few weeks to gather the green-light funds for production. It’s very doable, if this crowdfunding campaign succeeds.

This is the process for good short films. They are a work of love, a work of artistry, a work for opportunity for the future. Short films are not made to pursue commercial success. Crafting a short film that audiences love is the sure way to gain new audiences, career opportunities and potential for success with feature films and TV shows.

Your support will help create a wonderful movie and new careers. The fundraising campaign will be on Indiegogo soon. You can preview the campaign right now by clicking here.

Thanks!

 

#CASTING CALL

#ACTORS NEEDED for “The Murder of James Dean” shooting in early September in #Hollywood and #Fresno.
See https://igg.me/at/TheMURDERofJamesDean

ALL ROLES: Volunteer work for career advancement (short will submit to top-tier film festivals). Daily cash stipend depends on success of crowdfunding campaign, plus transportation/lodging, meals, IMDb credit.


MICHAEL, lead.

Experienced #male actor, 50ish white male, distressed about being an over-the-hill screenwriter now ignored by Hollywood, stuck in Fresno California after everything falls apart for him. Scenes will shoot in Hollywood and Fresno in early September, probably 4 days of shooting.


RAYMOND, lead.

Experienced #male actor, early 20s, ethnic (*not* looking like James Dean), distressed about being treated like a silly kid trying to get out of The Bronx and into Hollywood. Scenes will shoot in Fresno in early September, probably 2 days of shooting.


PAT, secondary lead.

Experienced actor, 30ish African American any #gender, thuggish-appearing wannabe filmmaker brought in to videotape an in-home interview. Scenes will shoot in Hollywood and Fresno, probably 3 days of shooting.


B.J., secondary lead.

Experienced actor, 20ish African American, any #gender / #genderfluid / #transgender, working with PAT to videotape an in-home interview. Scenes will shoot in Hollywood and Fresno, probably 3 days of shooting.


LUCY, day player.

Experienced actor, 50ish white #female, Michael’s older sister not having his failed ass hanging around her family home. Scene will shoot in Fresno. probably 1 day of shooting.

 

Submit headshot/resume to Casting ( AT ) TheMURDERofJamesDean ( DOT ) com

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The comedy short film “The MURDER of James Dean”


We are filmmakers; actors, director, cinematographer, crew members, producers. We are coming together from across the country – New York City, Fresno, Los Angeles – to make a smart, entertaining short film that you and Hollywood will enjoy.

I’m Michael Barnard.

The rest of our cast and crew are experienced in their field, as actors, cinematographer, crew, and need this opportunity to move up in Hollywood. As soon as you give us the green light, we will make commitments, schedules, and go into production on “The MURDER of James Dean.”

With your greenlight, we will produce a high-quality short film to submit to film festivals and share online. We have the right screenplay, we have the right people, we even have the right equipment. We need you to give us the greenlight so we can go into production and make “The MURDER of James Dean.” We hope to keep you entertained and happy, both with your participation in the production, and with our gifts of appreciation for your support. The film’s message of inclusion and struggle will touch people. And when fame comes, you’ll be with us.

It’s a comedy short film about real human emotions. In “The MURDER of James Dean,” Michael, a down-and-out, over-the-hill screenwriter struggles to regain his footing and the life he knew in Hollywood. It’s the struggle everyone fears.

At the same time, Raymond, a young wannabe film producer struggles to finally open a door of opportunity and a career in Hollywood. It’s the struggle everyone goes through.

Michael and Raymond are from different backgrounds, different ages, different cultures. Both strive to make their own future, using the other as a stepping stone to their goals. That’s the game everyone plays in Hollywood.

A wild conspiracy theory about the death of James Dean brings these two together. There are lots of conspiracy theories in the world, and both recognize this one as a great story that could be made into a great movie.

They have a unique connection to an elderly lawyer who was in Dean’s circle of friends long ago and claims to have proof of the conspiracy. He wants to finally spill the beans, and will tell only Michael and Raymond.

But, it doesn’t go well.

As they struggle to make it work, then watch the opportunity slip away out of their control, they battle each other. Anger, frustration, and fear boil to the surface as their Hollywood game unravels.

In the end, they finally recognize the human relationship that’s more important than the Hollywood games.

Michael is older, a white guy in his late 50s, treated like an over-the-hill has-been writer by Hollywood. Michael is stuck in Fresno after everything falls apart for him.

Raymond is younger, an Hispanic guy in his early 20s, treated like a silly kid from the wrong side of the tracks by Hollywood. Raymond is trying to get out of The Bronx.

Lucy is Michael’s older sister, and she’s just not having his failed ass hanging around her family home in Fresno.

Pat, black, 30ish, and filming partner B.J., black, 20ish (any gender M/F/T to be cast), get sucked into pursuit of the story when asked to film an interview of the man with the conspiracy theory.

And there’s that guy with the conspiracy theory…

Short films are calling cards, door openers for the film/TV business. Commercial and profitable opportunities for short films are still quite rare; the purpose of short films is to entertain audiences and to introduce the filmmakers, cast, and crew to the film/TV industry. A well-done short film can prove to the Hollywood gate-keepers, producers, distributers, and money people that the people who crafted a good short film can be trusted to make a bigger production. That’s the goal for those of us crafting the short film comedy The MURDER of James Dean.

(From “Short of the Week’s Andrew Allen on How to Make the Most of Your Short Film“)

The screenplay has already attracted awards-attention, which is rare for short film scripts. The people involved in the project have experience in production and need to expand their opportunities to go further. With The MURDER of James Dean, we will make an entertaining film that can be competitive on the film festival circuit and online. If the film attracts attention at film festivals and online, as the screenplay itself already has done in contests, we can expect audiences to enjoy it and Hollywood gatekeepers to open up to us. (Filmmaker Michael R. Barnard is in post-production, doing audio fixing, on his current short film “THE CAMERA,” and his previous short film, the ‘no-budget, one-day, one-location, two-people’ “HOT CAR” – consider it R-rated – has been viewed on YouTube more than a quarter-million times.)

For talented actors, a lead role in a well-made and popular short film can open up big opportunities in larger films and TV, expanding careers.

For talented crew in positions such as Director of Photography, Makeup, Sound, and other positions, proving themselves with excellent work using minimum resources can boost a career in film/TV production.

The MURDER of James Dean is likely to be published on IMDb, which is the de facto standard for film/TV credits, making the cast and crew visible and validated to the industry.

These are the reasons for cast and crew to volunteer as a labor of love and an exercise of their artistry to make a good short film. We offer a stipend to each member of the team. The size of our stipend depends on the success and over-funding of this crowdfunding effort.

Filmmaker Michael R. Barnard already owns the production gear necessary for good production of a short film. The equipment package is efficient and good quality; a Sony A7 full-frame mirrorless camera with 50mm f1.8 and 28-70mm f3.5-5.6 lenses plus various adapters and filters, coupled to an Atomos Ninja 2 4:2:2 ProRes recorder and monitor; a Comodo VB-1850 Orbit camera cage for shooting action on the run, a Rhino 48” camera slider, Tascam DAR with boom and microphones, various LED lights, and lightweight camera support and grip equipment. The filmmaker also already owns an editing system running Adobe Premier Pro, After Effects, Photoshop, and more for post-production.

Of course, we have an award-winning screenplay.

Filmmaker Michael R. Barnard has years of experience in film/TV production, including low-budget run-and-gun production. Research the filmmaker’s résumé, LinkedIn, and IMDb. (To be very frank and personal, my career got very bumpy after the triple-whammy of the Writers Strike, the Great Recession, and the death of my passion project. The Writers Strike destroyed my job on a new FOX TV Network series; the Great Recession destroyed signed contracts for me to produce three more feature films; and, my passion project, the feature film screenplay “EVERYBODY SAYS GOODBYE—The Story of a Father and Son,” died after more than a decade and a half of many ‘almost there’ efforts.)

Support us. This is the time.

We are now in an era when human relationships collapse under the shadows of differences and games played, and we need to return from that, to see the humanity in the relationships that surround us.

Spread the word, please. Indiegogo has great tools to help you share this.

In the practical sense, the deadlines for submission to top-tier film festivals, such as Sundance, where I’ve worked for a decade, SXSW in Austin, and others, are rapidly approaching in September. We need to have The MURDER of James Dean completed as soon as possible to submit to those festivals. That gives us only a few weeks to gather the green-light funds for production. It’s very doable, if this crowdfunding campaign succeeds.

This is the process for good short films. They are a work of love, a work of artistry, a work for opportunity for the future. Short films are not made to pursue commercial success. Crafting a short film that audiences love is the sure way to gain new audiences, career opportunities and potential for success with feature films and TV shows.

Your support will help create a wonderful movie and new careers.

Thanks!

 

The comedy short film “The MURDER of James Dean”


We are filmmakers; actors, director, cinematographer, crew members, producers. We are coming together from across the country – New York City, Fresno, Los Angeles – to make a smart, entertaining short film that you and Hollywood will enjoy.

I’m Michael Barnard.

The rest of our cast and crew are experienced in their field, as actors, cinematographer, crew, and need this opportunity to move up in Hollywood. As soon as you give us the green light, we will make commitments, schedules, and go into production on “The MURDER of James Dean.”

With your greenlight, we will produce a high-quality short film to submit to film festivals and share online. We have the right screenplay, we have the right people, we even have the right equipment. We need you to give us the greenlight so we can go into production and make “The MURDER of James Dean.” We hope to keep you entertained and happy, both with your participation in the production, and with our gifts of appreciation for your support. The film’s message of inclusion and struggle will touch people. And when fame comes, you’ll be with us.

It’s a comedy short film about real human emotions. In “The MURDER of James Dean,” Michael, a down-and-out, over-the-hill screenwriter struggles to regain his footing and the life he knew in Hollywood. It’s the struggle everyone fears.

At the same time, Raymond, a young wannabe film producer struggles to finally open a door of opportunity and a career in Hollywood. It’s the struggle everyone goes through.

Michael and Raymond are from different backgrounds, different ages, different cultures. Both strive to make their own future, using the other as a stepping stone to their goals. That’s the game everyone plays in Hollywood.

A wild conspiracy theory about the death of James Dean brings these two together. There are lots of conspiracy theories in the world, and both recognize this one as a great story that could be made into a great movie.

They have a unique connection to an elderly lawyer who was in Dean’s circle of friends long ago and claims to have proof of the conspiracy. He wants to finally spill the beans, and will tell only Michael and Raymond.

But, it doesn’t go well.

As they struggle to make it work, then watch the opportunity slip away out of their control, they battle each other. Anger, frustration, and fear boil to the surface as their Hollywood game unravels.

In the end, they finally recognize the human relationship that’s more important than the Hollywood games.

Michael is older, a white guy in his late 50s, treated like an over-the-hill has-been writer by Hollywood. Michael is stuck in Fresno after everything falls apart for him.

Raymond is younger, an Hispanic guy in his early 20s, treated like a silly kid from the wrong side of the tracks by Hollywood. Raymond is trying to get out of The Bronx.

Lucy is Michael’s older sister, and she’s just not having his failed ass hanging around her family home in Fresno.

Pat, black, 30ish, and filming partner B.J., black, 20ish (any gender M/F/T to be cast), get sucked into pursuit of the story when asked to film an interview of the man with the conspiracy theory.

And there’s that guy with the conspiracy theory…

Short films are calling cards, door openers for the film/TV business. Commercial and profitable opportunities for short films are still quite rare; the purpose of short films is to entertain audiences and to introduce the filmmakers, cast, and crew to the film/TV industry. A well-done short film can prove to the Hollywood gate-keepers, producers, distributers, and money people that the people who crafted a good short film can be trusted to make a bigger production. That’s the goal for those of us crafting the short film comedy The MURDER of James Dean.

(From “Short of the Week’s Andrew Allen on How to Make the Most of Your Short Film“)

The screenplay has already attracted awards-attention, which is rare for short film scripts. The people involved in the project have experience in production and need to expand their opportunities to go further. With The MURDER of James Dean, we will make an entertaining film that can be competitive on the film festival circuit and online. If the film attracts attention at film festivals and online, as the screenplay itself already has done in contests, we can expect audiences to enjoy it and Hollywood gatekeepers to open up to us. (Filmmaker Michael R. Barnard is in post-production, doing audio fixing, on his current short film “THE CAMERA,” and his previous short film, the ‘no-budget, one-day, one-location, two-people’ “HOT CAR” – consider it R-rated – has been viewed on YouTube more than a quarter-million times.)

For talented actors, a lead role in a well-made and popular short film can open up big opportunities in larger films and TV, expanding careers.

For talented crew in positions such as Director of Photography, Makeup, Sound, and other positions, proving themselves with excellent work using minimum resources can boost a career in film/TV production.

The MURDER of James Dean is likely to be published on IMDb, which is the de facto standard for film/TV credits, making the cast and crew visible and validated to the industry.

These are the reasons for cast and crew to volunteer as a labor of love and an exercise of their artistry to make a good short film. We offer a stipend to each member of the team. The size of our stipend depends on the success and over-funding of this crowdfunding effort.

Filmmaker Michael R. Barnard already owns the production gear necessary for good production of a short film. The equipment package is efficient and good quality; a Sony A7 full-frame mirrorless camera with 50mm f1.8 and 28-70mm f3.5-5.6 lenses plus various adapters and filters, coupled to an Atomos Ninja 2 4:2:2 ProRes recorder and monitor; a Comodo VB-1850 Orbit camera cage for shooting action on the run, a Rhino 48” camera slider, Tascam DAR with boom and microphones, various LED lights, and lightweight camera support and grip equipment. The filmmaker also already owns an editing system running Adobe Premier Pro, After Effects, Photoshop, and more for post-production.

Of course, we have an award-winning screenplay.

Filmmaker Michael R. Barnard has years of experience in film/TV production, including low-budget run-and-gun production. Research the filmmaker’s résumé, LinkedIn, and IMDb. (To be very frank and personal, my career got very bumpy after the triple-whammy of the Writers Strike, the Great Recession, and the death of my passion project. The Writers Strike destroyed my job on a new FOX TV Network series; the Great Recession destroyed signed contracts for me to produce three more feature films; and, my passion project, the feature film screenplay “EVERYBODY SAYS GOODBYE—The Story of a Father and Son,” died after more than a decade and a half of many ‘almost there’ efforts.)

Support us. This is the time.

We are now in an era when human relationships collapse under the shadows of differences and games played, and we need to return from that, to see the humanity in the relationships that surround us.

Spread the word, please. Indiegogo has great tools to help you share this.

In the practical sense, the deadlines for submission to top-tier film festivals, such as Sundance, where I’ve worked for a decade, SXSW in Austin, and others, are rapidly approaching in September. We need to have The MURDER of James Dean completed as soon as possible to submit to those festivals. That gives us only a few weeks to gather the green-light funds for production. It’s very doable, if this crowdfunding campaign succeeds.

This is the process for good short films. They are a work of love, a work of artistry, a work for opportunity for the future. Short films are not made to pursue commercial success. Crafting a short film that audiences love is the sure way to gain new audiences, career opportunities and potential for success with feature films and TV shows.

Your support will help create a wonderful movie and new careers.

Thanks!

 

The comedy short film “The MURDER of James Dean”


We are filmmakers; actors, director, cinematographer, crew members, producers. We are coming together from across the country – New York City, Fresno, Los Angeles – to make a smart, entertaining short film that you and Hollywood will enjoy.

I’m Michael Barnard.

The rest of our cast and crew are experienced in their field, as actors, cinematographer, crew, and need this opportunity to move up in Hollywood. As soon as you give us the green light, we will make commitments, schedules, and go into production on “The MURDER of James Dean.”

With your greenlight, we will produce a high-quality short film to submit to film festivals and share online. We have the right screenplay, we have the right people, we even have the right equipment. We need you to give us the greenlight so we can go into production and make “The MURDER of James Dean.” We hope to keep you entertained and happy, both with your participation in the production, and with our gifts of appreciation for your support. The film’s message of inclusion and struggle will touch people. And when fame comes, you’ll be with us.

It’s a comedy short film about real human emotions. In “The MURDER of James Dean,” Michael, a down-and-out, over-the-hill screenwriter struggles to regain his footing and the life he knew in Hollywood. It’s the struggle everyone fears.

At the same time, Raymond, a young wannabe film producer struggles to finally open a door of opportunity and a career in Hollywood. It’s the struggle everyone goes through.

Michael and Raymond are from different backgrounds, different ages, different cultures. Both strive to make their own future, using the other as a stepping stone to their goals. That’s the game everyone plays in Hollywood.

A wild conspiracy theory about the death of James Dean brings these two together. There are lots of conspiracy theories in the world, and both recognize this one as a great story that could be made into a great movie.

They have a unique connection to an elderly lawyer who was in Dean’s circle of friends long ago and claims to have proof of the conspiracy. He wants to finally spill the beans, and will tell only Michael and Raymond.

But, it doesn’t go well.

As they struggle to make it work, then watch the opportunity slip away out of their control, they battle each other. Anger, frustration, and fear boil to the surface as their Hollywood game unravels.

In the end, they finally recognize the human relationship that’s more important than the Hollywood games.

Michael is older, a white guy in his late 50s, treated like an over-the-hill has-been writer by Hollywood. Michael is stuck in Fresno after everything falls apart for him.

Raymond is younger, an Hispanic guy in his early 20s, treated like a silly kid from the wrong side of the tracks by Hollywood. Raymond is trying to get out of The Bronx.

Lucy is Michael’s older sister, and she’s just not having his failed ass hanging around her family home in Fresno.

Pat, black, 30ish, and filming partner B.J., black, 20ish (any gender M/F/T to be cast), get sucked into pursuit of the story when asked to film an interview of the man with the conspiracy theory.

And there’s that guy with the conspiracy theory…

Short films are calling cards, door openers for the film/TV business. Commercial and profitable opportunities for short films are still quite rare; the purpose of short films is to entertain audiences and to introduce the filmmakers, cast, and crew to the film/TV industry. A well-done short film can prove to the Hollywood gate-keepers, producers, distributers, and money people that the people who crafted a good short film can be trusted to make a bigger production. That’s the goal for those of us crafting the short film comedy The MURDER of James Dean.

(From “Short of the Week’s Andrew Allen on How to Make the Most of Your Short Film“)

The screenplay has already attracted awards-attention, which is rare for short film scripts. The people involved in the project have experience in production and need to expand their opportunities to go further. With The MURDER of James Dean, we will make an entertaining film that can be competitive on the film festival circuit and online. If the film attracts attention at film festivals and online, as the screenplay itself already has done in contests, we can expect audiences to enjoy it and Hollywood gatekeepers to open up to us. (Filmmaker Michael R. Barnard is in post-production, doing audio fixing, on his current short film “THE CAMERA,” and his previous short film, the ‘no-budget, one-day, one-location, two-people’ “HOT CAR” – consider it R-rated – has been viewed on YouTube more than a quarter-million times.)

For talented actors, a lead role in a well-made and popular short film can open up big opportunities in larger films and TV, expanding careers.

For talented crew in positions such as Director of Photography, Makeup, Sound, and other positions, proving themselves with excellent work using minimum resources can boost a career in film/TV production.

The MURDER of James Dean is likely to be published on IMDb, which is the de facto standard for film/TV credits, making the cast and crew visible and validated to the industry.

These are the reasons for cast and crew to volunteer as a labor of love and an exercise of their artistry to make a good short film. We offer a stipend to each member of the team. The size of our stipend depends on the success and over-funding of this crowdfunding effort.

Filmmaker Michael R. Barnard already owns the production gear necessary for good production of a short film. The equipment package is efficient and good quality; a Sony A7 full-frame mirrorless camera with 50mm f1.8 and 28-70mm f3.5-5.6 lenses plus various adapters and filters, coupled to an Atomos Ninja 2 4:2:2 ProRes recorder and monitor; a Comodo VB-1850 Orbit camera cage for shooting action on the run, a Rhino 48” camera slider, Tascam DAR with boom and microphones, various LED lights, and lightweight camera support and grip equipment. The filmmaker also already owns an editing system running Adobe Premier Pro, After Effects, Photoshop, and more for post-production.

Of course, we have an award-winning screenplay.

Filmmaker Michael R. Barnard has years of experience in film/TV production, including low-budget run-and-gun production. Research the filmmaker’s résumé, LinkedIn, and IMDb. (To be very frank and personal, my career got very bumpy after the triple-whammy of the Writers Strike, the Great Recession, and the death of my passion project. The Writers Strike destroyed my job on a new FOX TV Network series; the Great Recession destroyed signed contracts for me to produce three more feature films; and, my passion project, the feature film screenplay “EVERYBODY SAYS GOODBYE—The Story of a Father and Son,” died after more than a decade and a half of many ‘almost there’ efforts.)

Support us. This is the time.

We are now in an era when human relationships collapse under the shadows of differences and games played, and we need to return from that, to see the humanity in the relationships that surround us.

Spread the word, please. Indiegogo has great tools to help you share this.

In the practical sense, the deadlines for submission to top-tier film festivals, such as Sundance, where I’ve worked for a decade, SXSW in Austin, and others, are rapidly approaching in September. We need to have The MURDER of James Dean completed as soon as possible to submit to those festivals. That gives us only a few weeks to gather the green-light funds for production. It’s very doable, if this crowdfunding campaign succeeds.

This is the process for good short films. They are a work of love, a work of artistry, a work for opportunity for the future. Short films are not made to pursue commercial success. Crafting a short film that audiences love is the sure way to gain new audiences, career opportunities and potential for success with feature films and TV shows.

Your support will help create a wonderful movie and new careers.

Thanks!

 

My bumpy road through “Hollywood” – PALLION THE YOUNG STALLION spec script for BoJack Horseman


My favorite show on Netflix is BoJack Horseman, which reveals a lot about me, since it’s a show about an emotionally dysfunctional has-been in Hollywood. So, back in January 2018, I was motivated to write a spec script for the show. I thought maybe I could replay the events decades earlier, described in My Bumpy Road Through “Hollywood” – There once was MOONLIGHTING, but hoping for a better result this time.

I wrote the spec script (“spec” is short for “speculation,” which is what writers do when they are not hired to write a specific story) about a new emotional roller coaster for BoJack. I threw into his life a gay young dancer who wants to become his friend. BoJack has to sort out the whole idea of being friends with someone who is gay.

Download the spec script PALLION THE YOUNG STALLION episode for BoJack Horseman here: https://app.box.com/s/lutsrnn8xh77nl9kk7c8r0ljkv885f3k

Download the spec script PALLION THE YOUNG STALLION episode for BoJack Horseman here: https://app.box.com/s/lutsrnn8xh77nl9kk7c8r0ljkv885f3k

Ironically, it turns out my sense that this would be an interesting topic for BoJack was later supported by the New York Times when they published the article, Welcome to the Age of the Twink“.

Not only is it a good script, it’s timely as hell, too!

But, sadly, nobody at the BoJack Horseman production company would, as usual, read it. I couldn’t get around the rote “no submissions” policy. So, here it is for you to enjoy. Click here to share it on Twitter if you enjoy it.

 

My bumpy road through “Hollywood” – That time I designed the Hollywood sign


About a quarter century ago – my, how time flies! – I worked on a Paramount Television production from the team responsible for the hit 1980s series MIAMI VICE. It was a pilot starring Edward James Olmos for a proposed TV series called “Hollywood Confidential.” Olmos played a former L.A. cop who now runs a top-flight private detective agency catering to spoiled Hollywood types. (This pilot helped launched the acting career of Charlize Theron.)

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My Bumpy Road Through “Hollywood” – There once was MOONLIGHTING


Before Bruce Willis was BRUCE WILLIS, and when Cybill Shepherd was CYBILL SHEPHERD, there were only three TV networks, a couple independent TV channels, and cable TV was mostly just rebroadcasts of old shows and movies (HBO wouldn’t get an Emmy nomination until more than a decade later).

One of those three networks – ABC, the American Broadcasting Company – had a very successful series called MOONLIGHTING, starring Willis and Shepherd. Glenn Gordon Caron was the creator. The show began in 1985.

I was young. I was a writer in Minneapolis. I loved MOONLIGHTING. Continue reading

My Bumpy Road Through “Hollywood” — On set for LAW & ORDER TRUE CRIME: THE MENENDEZ MURDERS


As I wander through Hollywood throughout my life, I occasionally work as a background actor, also known as an “extra.” Here is a story about my experience lately when I was a “featured extra” on an NBC mini-series.

This is my stream-of-consciousness report about production experience these days.

The TV mini-series “Law & Order True Crime: THE MENENDEZ MURDERS” was in production in September and October of 2017 and aired as eight hour-long episodes on NBC on Tuesday nights at 10:00 pm from September 26 to November 14. It was produced by prolific producer Dick Wolf’s Wolf Films, based at Comcast’s NBC/Universal lot in Universal City, California. NBC, the “National Broadcasting Company,” is a prominent broadcast network that was one of the original television broadcasting companies.

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The USA long ago outgrew the two party system.


We need to make our system more accessible to legitimately competitive political parties. (The “third-party” concept that we have today is universally acknowledged as ineffective, merely “a statement” to be made.) Our current political malaise is the result of trying to shoehorn the realities of diversity and prejudice in the USA into only two ages-old prominent parties. Continue reading

My Bumpy Road Through “Hollywood” — Starting Over. Again.


Since Middle School, I have been a writer, and was the editor of my school paper in Ninth Grade.

I began in television in high school and became producer and writer for the New Year’s Eve variety program “CELEBRATION” which aired on network affiliate TV stations in Minneapolis for several years. I then helped build and put on the air a new broadcast TV station, Channel 29, and became its Operations Manager as well as Writer, Producer, and Director for in-house programs and clients’ productions. Continue reading

ACTORS NEED TRAINING IN HOLLYWOOD


I pulled together a list of contacts for various acting schools and teachers in “Hollywood”. It’s a list of about 80 contacts, and none have been vetted. I do not vouch for or know the quality of any of these.

The list is for YOU to start looking into, to discover who might be valuable for you as you move your career forward. All actors have different needs for training, so this is for you to figure out which opportunities might be valuable for your career. Continue reading

KICKSTARTER steps up for corporate responsibility, becomes new Benefit Corporation


If you follow business issues, particularly corporate entity structure and how the existing incorporation laws require companies to ignore the common good in favor of shareholder profits, then you may have applauded the recent creation of a new corporate entity form: the Benefit Corporation (also referred to as a “B-Corporation”). The popular current corporate structure (referred to as a “C-Corporation”) often comes under fire from all sides of the political spectrum because of the damage done to the economy, environment, and citizens as a result of its traditional focus on short-term profits. See, for example, “Clinton outlines steps to curb U.S. companies’ focus on short-term profits“.

Social funding site KICKSTARTER has just now converted to a Benefit Corporation.

KICKSTARTER

KICKSTARTER

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My Bumpy Road Through “Hollywood” — HOT CAR


I said to myself, for quite some time now, “I gotta do SOMETHING.” Tired of projects failing, hating the junior high cliquishness of crowdfunding, realizing it’s been too many years. I sought the Holy Grail of indie filmmaking: two people, one room, one day.

So, at Thanksgiving time 2014, I took an inventory of what I had:
-A living room where I’m housesitting.
-An old car.
-A creepy old man.
-A couple storylines that had been ‘backstory’ for my failed passion project EVERYBODY SAYS GOODBYE–The Story of a Father and Son.
-Zero dollars.
-Some connections in the acting community in Fresno.
-The upcoming SUNDANCE FILM FESTIVAL.
-A pathetic old computer that almost runs Adobe Creative Suite (I’ve used Adobe since 2001).

The result: HOT CAR. I finished it yesterday (damn pathetic computer!) and am bringing it with me for the fun of it when I head to SUNDANCE tomorrow.

“The worlds of an old man and a young man collide as each faces the end of his own life.”

It’s MATURE (language, nudity, sexual situations) and NSFW.

http://youtu.be/P5zfhD2GSo4

I hope you find it interesting and involving.

http://imdb.me/michaelrbarnard
http://linkedin.com/in/michaelrbarnard

The Present Threat to the Internet


TIGER Photo by Paula Borowska

Photo by Paula Borowska

WHAT IS THE THREAT TO NET NEUTRALITY?

Millions of American citizens have flooded the FCC website with comments to let the agency know our demand for Net Neutrality. Many citizens are intimidated by this wonky and technical issue, knowing they do not fully understand the complex issues or its importance and urgency.

The threats to the Internet are real, and now newly-empowered scurrilous politicians, demagogues, and greedy mega-corporations are mounting huge campaigns to scuttle Net Neutrality so that the corporations can use their power over the Internet for political purposes, for demagoguery, and for profiteering.

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BARNARD’S LAWS


BOOK Photo by Alejandro Escamilla

Photo by Alejandro Escamilla

Barnard’s Law No. 1
The greatest need of man is not food, shelter, or even sex. It’s the need to re-write what another has written.

Barnard’s Law No. 2
It’s not the idea. It’s the execution.

Barnard’s Law No. 3
Dinosaurs never see it coming.

Barnard’s Law No. 4
The responsibility to communicate is upon the communicator, not the listener.

Barnard’s Law No. 5
The job of children is to play. The job of teens is to deceive their parents. The job of adults is to slay their demons.

Barnard’s Law No. 6
Clarity is the soul of communication.

Barnard’s Law No. 7
Life is full of grand plans that suddenly need to be fixed with duct tape, and that’s okay.

Barnard’s Law No. 8
Be succinct. A short PowerPoint slide with just ten bullet points was good enough for God.

Barnard’s Law No. 9
In any group, the majority will misunderstand much of what you’re sure they understand.

Barnard’s Law No. 10
Hysteria breeds where context is ignored. Looking at results of history without knowledge of history leads to poor judgment and prejudice.

Barnard’s Law No. 11
The Internet demands of everyone that they be outraged by everything. It then amplifies it.

Barnard’s Law No. 12
Everyone else’s mess is far worse than our own mess. Roommates, especially.

Barnard’s Law No. 13
Heroes run in the opposite direction than the rest of us.

My Bumpy Road Through “Hollywood” — A Venom in the Blood


BARNARD BUYS VENOM RIGHTS - Daily Variety

BARNARD BUYS VENOM RIGHTS – Daily Variety

Two decades ago, I bought a book.

In producer-speak, that means I acquired the rights via option to make a movie from a book. I knew a TV news reporter, and she had made contact with a reclusive author who wrote a book she thought I might be interested in. Actually, “reclusive” is too weak of a term; we both had determined that the author was in hiding. Contact was difficult and cryptic. Nonetheless, he and I got on the phone, and he figured that I would be someone he’d like to work with to get his book made into a movie, and I liked the deal, too. We sealed the deal without ever meeting.
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My Bumpy Road Through “Hollywood” — Consumed by a Passion Project


FILMMAKER Magazine

FILMMAKER Magazine

Michael R Barnard photo 500 px

 

How Is a Filmmaker Consumed by a Passion Project?

The following is a guest post from Michael R. Barnard, who is in the final days of an Indiegogo campaign for his film, Everybody Says Goodbye: The Story of a Father and Son.

For many years, I have been chasing a motion picture project that has completely consumed me. It’s called Everybody Says Goodbye: The Story of a Father and Son, and I first began writing the screenplay in 1998. Having come so close to making the movie a few times, I keep referring to this project as “a fish-hook in the eye” because it’s impossible for me to ignore and walk away from.

[read more…]

http://imdb.me/michaelrbarnard
http://linkedin.com/in/michaelrbarnard

 

 

 

My Bumpy Road Through “Hollywood” — The Mean Streets


CITY STREET Photo by Israel Sundseth

Photo by Israel Sundseth

I spent a lot of time on the mean streets of Hollywood. I lived there, worked there, had friends there, I walked them a lot. My screenplay for the feature film EVERYBODY SAYS GOODBYE—The Story of a Father and Son is set there, in 1998.

The sketchy stretch of Santa Monica Boulevard between La Brea Avenue and Vine Street is a little nicer now, but not by much. There has always been a veneer of potential violence.

It’s a little different style-wise, too. Back in the 1990s, if you saw a couple walking hand-in-hand along this stretch, and that couple was of opposite genders, and if each of them were their original gender, then you knew they were scared tourists separated from their tour group. Continue reading

My Bumpy Road Through “Hollywood” — There Was a Recession in 1991


BEAR Photo by Thomas Lefebvre

BEAR Photo by Thomas Lefebvre

(originally published April 22, 2010)

There was a recession in 1991. Not as big as this Great Recession, but big nonetheless. A hallmark of the 1991 recession was that, for the first time ever, a recession had a negative impact on “Hollywood” [Entertainment Weekly, 2/22/91: “How will the recession affect Hollywood?”], [Den of Geek, 8/18/14: “How 1991 nearly broke Hollywood”]. Home video, cable TV, and video games had broadened the “biz” and brought commodity vagaries to the tightly-controlled movie biz. It was also the time of the burgeoning new indie film biz, which blossomed in the late 1980s. And I, of course, was trying to get a movie made. Continue reading

My Bumpy Road Through “Hollywood” — When Prince was king


PRINCE

PRINCE

[UPDATE: This was written long before my friend Prince passed away. I still miss him and am still shocked.]

A friend just now found and sent to me this post from  Prince.org, the Prince fan site that described how I pulled off the production of Prince’s ALPHABET STREET video on impossible notice! It is from the book, Possessed: The Rise and Fall of Prince by Alex Hahn. Funny that I’ve never seen this before.

I remember Prince stopping me in the hall outside his apartment at Paisley Park Studios with a big grin on his face, saying “All the people in Hollywood are freaking out. They say, ‘Prince went and made a garage video!'” He enjoyed that, especially since it was a full three-camera shoot with a complete crew inside his brand-spanking-new mammoth sound stage at Paisley Park Studios.

The video of ALPHABET STREET, which premiered on MTV way back in 1988, is now available on YouTube.

 

Here’s the story, from Prince’s manager at the time, Alan Leeds:

On the ‘the New P♥wer of L♥vesexy’ thread from March 30, 2012: Continue reading

The Internet needs to be free. [UPDATED APRIL 23 2014]


FLOCK OF BIRDS Photo by Fré Sonneveld

FLOCK OF BIRDS Photo by Fré Sonneveld

THE INTERNET NEEDS TO BE FREE

Yes, free.

That’s not a statement about pricing, it’s a statement about democracy.

This is what is commonly referred to as “Net Neutrality.”

The following blog post keeps evolving since its original posting in 2010, because the concept of “Net Neutrality” (or the attempt at a more popular term, “The Open Internet“) is vibrant.

UPDATE AS OF APRIL 23, 2014

Breaking news:

I guess it’s time to say goodbye to the many independent online film distribution companies who offer streaming and downloading of independent movies. The F.C.C., in a complete turn-around on the principles of Net Neutrality, just announced that they are abandoning the principle that Internet users should have equal ability to see any content they choose. The F.C.C. plans to allow Comcast, Verizon FiOS, etc., to negotiate separately with each content company – the BIG, WEALTHY, EXCLUSIVE companies like Netflix, Amazon, Disney, Google – to have them pay for good video delivery.

Aside from the democracy of the Internet, that does not look good for the competition of small distributors, nor for indie filmmakers themselves, whose voice will not be allowed on those company’s libraries of titles.

See “F.C.C., in ‘Net Neutrality’ Turnaround, Plans to Allow Fast Lane

This subject is currently getting louder. By the end of March, 2014, it heated up in a war of words.
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Equity Crowdfunding is dead for us. What’s next?


DEAD CAR Photo by Kristian Karlsson

DEAD CAR Photo by Kristian Karlsson


If you remember that there once was a glimmer of hope for more sustainable financing for innovative small business (and, for my concern, an indie film industry) through “Equity Crowdfunding” as demanded by the JOBS Act of 2012, the fact is that it’s not going to happen. It’s already far past the Act’s imposed deadlines because the concept is anathema to the entrenched and self-interested bureaucracy.
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How to Survive on Set Without Looking Like an Asshole


Nice compilation of things sometimes overlooked.

CALLAM RODYA | BROADCAST JOURNALIST

Callam Rodya as Roddy with 3rd AD Alex Pitzel slating the shot on the set of "Stalking by Numbers". Callam Rodya as Roddy with 3rd AD Alex Pitzel slating the shot on the set of “Stalking by Numbers”.

When it comes to film work, actors have it the easiest. Don’t argue. You know it’s true.

In case you need a bit more convincing, consider this:

  • We’re the last ones called and the first ones wrapped.
  • There is a team on set whose sole job is to make us look beautiful.
  • They tell us where to stand, where to walk, and what to say, and they even put down little pieces of tape for us and print out our lines on little pocket-sized sheets to make it extra easy.
  • We get to stay warm in the trailer while they’re out there in a snow storm setting up the shot.
  • We usually get paid better.
  • We get all the credit.

Don’t get me wrong, acting is extremely difficult (especially when you…

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Corporate Conglomerates Battle to Regain Gatekeeper Status


CITY Photo by Oleg Chursin

CITY Photo by Oleg Chursin


The merger between Comcast and Time Warner Cable is a powerful situation that has broad negative implications for society and for filmmakers specifically. It’s not simply a business issue, it’s a democracy issue.

The merger between Comcast and Time Warner Cable is another deliberate attack on Net Neutrality.

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