Since Middle School, I have been a writer, and was the editor of my school paper in Ninth Grade. I began in television in high school and became producer and writer for the New Year’s Eve variety program “CELEBRATION” which aired on network affiliate TV stations in Minneapolis for several years. I then helped build … Continue reading My Bumpy Road Through “Hollywood” — Starting Over. Again.
My Bumpy Road Through “Hollywood” — HOT CAR
http://www.youtube.com/watch?v=P5zfhD2GSo4 I said to myself, for quite some time now, "I gotta do SOMETHING." Tired of projects failing, hating the junior high cliquishness of crowdfunding, realizing it's been too many years. I sought the Holy Grail of indie filmmaking: two people, one room, one day. So, at Thanksgiving time 2014, I took an inventory of … Continue reading My Bumpy Road Through “Hollywood” — HOT CAR
My Bumpy Road Through “Hollywood” — A VENOM IN THE BLOOD
Two decades ago, I bought a book. In producer-speak, that means I acquired the rights via option to make a movie from a book. I knew a TV news reporter, and she had made contact with a reclusive author who wrote a book she thought I might be interested in. Actually, “reclusive” is too weak … Continue reading My Bumpy Road Through “Hollywood” — A VENOM IN THE BLOOD
My Bumpy Road Through “Hollywood” — THE MEAN STREETS
I spent a lot of time on the mean streets of Hollywood. I lived there, worked there, had friends there, I walked them a lot. My screenplay for the feature film EVERYBODY SAYS GOODBYE—The Story of a Father and Son is set there, in 1998. The sketchy stretch of Santa Monica Boulevard between La Brea … Continue reading My Bumpy Road Through “Hollywood” — THE MEAN STREETS
Equity Crowdfunding is dead for us. What’s next?
If you remember that there once was a glimmer of hope for more sustainable financing for innovative small business (and, for my concern, an indie film industry) through "Equity Crowdfunding" as demanded by the JOBS Act of 2012, the fact is that it's not going to happen. It's already far past the Act's imposed deadlines … Continue reading Equity Crowdfunding is dead for us. What’s next?
Corporate Conglomerates Battle to Regain Gatekeeper Status
The merger between Comcast and Time Warner Cable is a powerful situation that has broad negative implications for society and for filmmakers specifically. It's not simply a business issue, it's a democracy issue. The merger between Comcast and Time Warner Cable is another deliberate attack on Net Neutrality. By assaulting Net Neutrality, GATEKEEPERS -- and … Continue reading Corporate Conglomerates Battle to Regain Gatekeeper Status
The independent filmmaking industry needs a new relationship with investors [UPDATED]
Prolific indie film producer Ted Hope, who spent the past year as Executive Director of the San Francisco Film Society (as of June 2015, a Production Executive at AMAZON STUDIOS), recently posted "Towards A Sustainable Investor Class: Accessing Quality Projects" as a call to build a healthy independent filmmaking industry. As always, he makes an … Continue reading The independent filmmaking industry needs a new relationship with investors [UPDATED]
From the Ivey Business Review: “Arrested Economics — Assessing Netflix’s Original Content Business”
Story-makers, the shift in the independent film industry includes new opportunities in what is commonly called "television." The new creative opportunities are exciting. Here's the second of two discussions about these new opportunities. Arrested Development and House of Cards aren't designed to deliver the metrics Wall Street expects, and this means a lot about how … Continue reading From the Ivey Business Review: “Arrested Economics — Assessing Netflix’s Original Content Business”
From the Ivey Business Review: “Original TV Series — The Illusory ‘Silver Bullet'”
Story-makers, the shift in the independent film industry includes new opportunities in what is commonly called "television." The new creative opportunities are exciting. Here's the first of two discussions about these new opportunities. Streaming services such as Netflix and Amazon see original TV series as the path to success. It's not. But consumers win. Reposted … Continue reading From the Ivey Business Review: “Original TV Series — The Illusory ‘Silver Bullet'”
There’s a fine line between exploitation and opportunity in the film industry. [UPDATED AGAIN!]
There has been a battle going on in Hollywood for a while now that threatens to upset one of the premises of the entire film industry. You might think it must be about digital disruption, but it's not. Is it about 3D? No. Maybe it's about lack of creativity in an industry swollen with sequels, … Continue reading There’s a fine line between exploitation and opportunity in the film industry. [UPDATED AGAIN!]
From Slated.com: “The new ‘soft’ money” for making indie movies
This is very important information for filmmakers seeking funds for their movie projects, and explains the approach that has been surprising and frustrating for those indie filmmakers who are not interested in ROI ("Return on Investment") or the investment aspect of filmmaking. (See my earlier blog, "Crowdfunding and 'Hey Zach Braff STFU and pay for … Continue reading From Slated.com: “The new ‘soft’ money” for making indie movies
Episode 1: Hal “Corky” Kessler explains Sec. 181
Episode 1: Hal "Corky" Kessler explains Sec. 181.
THIS IS THE SECOND ‘GOLDEN AGE OF TELEVISION.’
When looking at what I've termed "The Blended Screens" -- the destruction of all the different ways that used to define what we were watching (it was a "movie" because it was shot on film and shown in a movie theater; it was a "TV Show" because it was shot on tape and broadcast by … Continue reading THIS IS THE SECOND ‘GOLDEN AGE OF TELEVISION.’
The JOBS Act of April 2012 is a Failure for America.
THIS IS A MAJOR JOBS PROBLEM AND NEEDS OUR ATTENTION:America needs good jobs. Joblessness and low-wage jobs have crippled the survival and prosperity of millions of Americans, and are a drag on our entire economy.The promise of the JOBS Act, signed into law a year ago and supported by the most bi-partisanship effort in recent … Continue reading The JOBS Act of April 2012 is a Failure for America.
EQUITY CROWDFUNDING RULEMAKING APPROACHES SOON.
I was at a seminar this week that purported to be about the new EQUITY CROWDFUNDING, but sadly, the panel was populated by finance professionals whose disdain for those of us who are not "high end, high net worth" made the panel useless. These types of professional fundraisers, coming from the status quo investment community, … Continue reading EQUITY CROWDFUNDING RULEMAKING APPROACHES SOON.
2012 NAB Show video reports from Reelgrok.com
Here are my video reports from the 2012 NAB Show in Las Vegas, reporting for ReelGrok "Where filmmakers get it." EPISODE 1: FROM REELGROK.COM: The 2012 NAB Show in Las Vegas just concluded, and here is EPISODE 1 (of 5) reported by Michael R. Barnard for ReelGrok "Where filmmakers get it." (http://reelgrok.com) See the forthcoming … Continue reading 2012 NAB Show video reports from Reelgrok.com
My Bumpy Road Through “Hollywood” — MOVIES IN A BAD ECONOMY
You know that your favorite movies, and even ones you don’t like, exist in an uneasy alliance of art and commerce. Movies have the potential to be both emotionally and financially powerful; sometimes one, sometimes the other, sometimes both. They brew in a caldron of artistic expression, profit potential, and career possibilities. Some movies find … Continue reading My Bumpy Road Through “Hollywood” — MOVIES IN A BAD ECONOMY
Why Make Movies?
Read about the making of the independent feature film NATE AND KELLY here: "Why Make Movies?" Has a movie ever touched your life?
The cost of asses-in-seats
Here's what I think specifically about MARKETING LOW-BUDGET INDIE FEATURE FILMS (NARRATIVE FICTION). This is an effort to help visualize the numbers needed for this new world of filmmakers becoming responsible for their own direct distribution. For a successful low-budget indie feature film, it is reasonable to expect an audience of approximately one million people … Continue reading The cost of asses-in-seats
Just what the hell IS an “Indie Film?”
Everybody talks about “INDEPENDENT FILM” but it means different things to different people. There is not a consistent, clear definition for the concept. How do you define “INDIE FILM?” Aside from the famous definition used for porn—”I know it when I see it,”—what specific qualities define a full-length motion picture as “independent?” Please answer the … Continue reading Just what the hell IS an “Indie Film?”
My Bumpy Road Through “Hollywood” — Is the INDIE FILM BIZ dead or not?
Did the Pythons have the indie film biz in mind when creating their masterpiece, Monty Python and the Holy Grail? Aside from the buffoonery of this so-called business, what else could have inspired the great scene, "I’m not dead"? It says a great deal about the flux of the indie film biz that yesterday, on … Continue reading My Bumpy Road Through “Hollywood” — Is the INDIE FILM BIZ dead or not?
My Bumpy Road Through “Hollywood” — The battle to make an independent movie
One of the odd things about being an independent filmmaker is the battle to get into production. Those of us who don't have well-to-do families or impressive connections to powerful people have to cultivate other ways to fund the production. This is especially true today with all the turmoil in the indie film biz and … Continue reading My Bumpy Road Through “Hollywood” — The battle to make an independent movie