My Bumpy Road through “Hollywood” — THE BLENDED SCREENS: WHY SHORT FILMS?


Above the common question “How long is a short film?*” should be the more significant question, “Why a short film?”

Good short films are enjoyable and moving, with stories that can have an impact as strong as good feature-length films or powerful TV series. You can laugh, cry, and be inspired watching a good short film.

But, why a short film? Long considered a sad attempt to mimic the more robust and legitimate feature length film, shorts have often been given … well … short shrift.

Those were the old days.

Today, the entire environment of content, what I term “The Blended Screens,” is changing.

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My bumpy road through “Hollywood” – That time I designed the Hollywood sign


About a quarter century ago – my, how time flies! – I worked on a Paramount Television production from the team responsible for the hit 1980s series MIAMI VICE. It was a pilot starring Edward James Olmos for a proposed TV series called “Hollywood Confidential.” Olmos played a former L.A. cop who now runs a top-flight private detective agency catering to spoiled Hollywood types. (This pilot helped launched the acting career of Charlize Theron.)

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My Bumpy Road Through “Hollywood” — On set for LAW & ORDER TRUE CRIME: THE MENENDEZ MURDERS


As I wander through Hollywood throughout my life, I occasionally work as a background actor, also known as an “extra.” Here is a story about my experience lately when I was a “featured extra” on an NBC mini-series.

This is my stream-of-consciousness report about production experience these days.

The TV mini-series “Law & Order True Crime: THE MENENDEZ MURDERS” was in production in September and October of 2017 and aired as eight hour-long episodes on NBC on Tuesday nights at 10:00 pm from September 26 to November 14. It was produced by prolific producer Dick Wolf’s Wolf Films, based at Comcast’s NBC/Universal lot in Universal City, California. NBC, the “National Broadcasting Company,” is a prominent broadcast network that was one of the original television broadcasting companies.
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My Bumpy Road Through “Hollywood” — Starting Over. Again.


Since Middle School, I have been a writer, and was the editor of my school paper in Ninth Grade.

I began in television in high school and became producer and writer for the New Year’s Eve variety program “CELEBRATION” which aired on network affiliate TV stations in Minneapolis for several years. I then helped build and put on the air a new broadcast TV station, Channel 29, and became its Operations Manager as well as Writer, Producer, and Director for in-house programs and clients’ productions. I went on to work for several production companies, including TV production trucks, and went out on my own as an independent Writer, Producer, and Director. My productions included live and taped talk shows, variety programs, holiday specials, sports broadcasts, interstitial segments, concerts, conventions, commercials, and industrials. Minneapolis is a major market area, which Nielson ranks as 15th largest.

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My Bumpy Road Through “Hollywood” — A VENOM IN THE BLOOD


BARNARD BUYS VENOM RIGHTS - Daily Variety

BARNARD BUYS VENOM RIGHTS – Daily Variety

Two decades ago, I bought a book.

In producer-speak, that means I acquired the rights via option to make a movie from a book. I knew a TV news reporter, and she had made contact with a reclusive author who wrote a book she thought I might be interested in. Actually, “reclusive” is too weak of a term; we both had determined that the author was in hiding. Contact was difficult and cryptic. Nonetheless, he and I got on the phone, and he figured that I would be someone he’d like to work with to get his book made into a movie, and I liked the deal, too. We sealed the deal without ever meeting.

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My Bumpy Road Through “Hollywood” — CONSUMED BY A PASSION PROJECT


 

FILMMAKER Magazine

FILMMAKER Magazine

Michael R Barnard photo 500 px

How Is a Filmmaker Consumed by a Passion Project?

The following is a guest post from Michael R. Barnard, who is in the final days of an Indiegogo campaign for his film, Everybody Says Goodbye: The Story of a Father and Son.

For many years, I have been chasing a motion picture project that has completely consumed me. It’s called Everybody Says Goodbye: The Story of a Father and Son, and I first began writing the screenplay in 1998. Having come so close to making the movie a few times, I keep referring to this project as “a fish-hook in the eye” because it’s impossible for me to ignore and walk away from.

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MICHAEL R. BARNARD | IMDb | LinkedIn | Resume

My Bumpy Road Through “Hollywood” — WHEN PRINCE WAS KING


PRINCE

PRINCE

[UPDATE: This was written long before my friend Prince passed away. I still miss him and am still shocked.]

A friend just now found and sent to me this post from  Prince.org, the Prince fan site that described how I pulled off the production of Prince’s ALPHABET STREET video on impossible notice! It is from the book, Possessed: The Rise and Fall of Prince by Alex Hahn. Funny that I’ve never seen this before.

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My Bumpy Road Through “Hollywood” — Is the INDIE FILM BIZ dead or not?


Did the Pythons have the indie film biz in mind when creating their masterpiece, Monty Python and the Holy Grail? Aside from the buffoonery of this so-called business, what else could have inspired the great scene, “I’m not dead”?

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My Bumpy Road Through “Hollywood” — The battle to make an independent movie


One of the odd things about being an independent filmmaker is the battle to get into production. Those of us who don’t have well-to-do families or impressive connections to powerful people have to cultivate other ways to fund the production. This is especially true today with all the turmoil in the indie film biz and the economy in general, but it’s always been true anyway.

When looking back on many years of trying to get A FATHER AND SON into production (at one point the title was EVERYBODY SAYS GOODBYE–The Story of a Father and Son), I realize there were many experiences that I call “a fishhook in the eye.”

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