The comedy short film “The MURDER of James Dean”


We are filmmakers; actors, director, cinematographer, crew members, producers. We are coming together from across the country – New York City, Fresno, Los Angeles – to make a smart, entertaining short film that you and Hollywood will enjoy. Join us on Indiegogo at https://igg.me/at/TheMURDERofJamesDean

I’m Michael Barnard.

The rest of our cast and crew are experienced in their field, as actors, cinematographer, crew, and need this opportunity to move up in Hollywood. As soon as you give us the green light, we will make commitments, schedules, and go into production on “The MURDER of James Dean.”

With your greenlight, we will produce a high-quality short film to submit to film festivals and share online. We have the right screenplay, we have the right people, we even have the right equipment. We need you to give us the greenlight so we can go into production and make “The MURDER of James Dean.” We hope to keep you entertained and happy, both with your participation in the production, and with our gifts of appreciation for your support. The film’s message of inclusion and struggle will touch people. And when fame comes, you’ll be with us.

It’s a comedy short film about real human emotions. In “The MURDER of James Dean,” Michael, a down-and-out, over-the-hill screenwriter struggles to regain his footing and the life he knew in Hollywood. It’s the struggle everyone fears.

At the same time, Raymond, a young wannabe film producer struggles to finally open a door of opportunity and a career in Hollywood. It’s the struggle everyone goes through.

Michael and Raymond are from different backgrounds, different ages, different cultures. Both strive to make their own future, using the other as a stepping stone to their goals. That’s the game everyone plays in Hollywood.

A wild conspiracy theory about the death of James Dean brings these two together. There are lots of conspiracy theories in the world, and both recognize this one as a great story that could be made into a great movie.

They have a unique connection to an elderly lawyer who was in Dean’s circle of friends long ago and claims to have proof of the conspiracy. He wants to finally spill the beans, and will tell only Michael and Raymond.

But, it doesn’t go well.

As they struggle to make it work, then watch the opportunity slip away out of their control, they battle each other. Anger, frustration, and fear boil to the surface as their Hollywood game unravels.

In the end, they finally recognize the human relationship that’s more important than the Hollywood games.

Michael is older, a white guy in his late 50s, treated like an over-the-hill has-been writer by Hollywood. Michael is stuck in Fresno after everything falls apart for him.

Raymond is younger, an Hispanic guy in his early 20s, treated like a silly kid from the wrong side of the tracks by Hollywood. Raymond is trying to get out of The Bronx.

Lucy is Michael’s older sister, and she’s just not having his failed ass hanging around her family home in Fresno.

Pat, black, 30ish, and filming partner B.J., black, 20ish (any gender M/F/T to be cast), get sucked into pursuit of the story when asked to film an interview of the man with the conspiracy theory.

And there’s that guy with the conspiracy theory…

Short films are calling cards, door openers for the film/TV business. Commercial and profitable opportunities for short films are still quite rare; the purpose of short films is to entertain audiences and to introduce the filmmakers, cast, and crew to the film/TV industry. A well-done short film can prove to the Hollywood gate-keepers, producers, distributers, and money people that the people who crafted a good short film can be trusted to make a bigger production. That’s the goal for those of us crafting the short film comedy The MURDER of James Dean.

(From “Short of the Week’s Andrew Allen on How to Make the Most of Your Short Film“)

The screenplay has already attracted awards-attention, which is rare for short film scripts. The people involved in the project have experience in production and need to expand their opportunities to go further. With The MURDER of James Dean, we will make an entertaining film that can be competitive on the film festival circuit and online. If the film attracts attention at film festivals and online, as the screenplay itself already has done in contests, we can expect audiences to enjoy it and Hollywood gatekeepers to open up to us. (Filmmaker Michael R. Barnard is in post-production, doing audio fixing, on his current short film “THE CAMERA,” and his previous short film, the ‘no-budget, one-day, one-location, two-people’ “HOT CAR” – consider it R-rated – has been viewed on YouTube more than a quarter-million times.)

For talented actors, a lead role in a well-made and popular short film can open up big opportunities in larger films and TV, expanding careers.

For talented crew in positions such as Director of Photography, Makeup, Sound, and other positions, proving themselves with excellent work using minimum resources can boost a career in film/TV production.

The MURDER of James Dean is likely to be published on IMDb, which is the de facto standard for film/TV credits, making the cast and crew visible and validated to the industry.

These are the reasons for cast and crew to volunteer as a labor of love and an exercise of their artistry to make a good short film. We offer a stipend to each member of the team. The size of our stipend depends on the success and over-funding of this crowdfunding effort.

Filmmaker Michael R. Barnard already owns the production gear necessary for good production of a short film. The equipment package is efficient and good quality; a Sony A7 full-frame mirrorless camera with 50mm f1.8 and 28-70mm f3.5-5.6 lenses plus various adapters and filters, coupled to an Atomos Ninja 2 4:2:2 ProRes recorder and monitor; a Comodo VB-1850 Orbit camera cage for shooting action on the run, a Rhino 48” camera slider, Tascam DAR with boom and microphones, various LED lights, and lightweight camera support and grip equipment. The filmmaker also already owns an editing system running Adobe Premier Pro, After Effects, Photoshop, and more for post-production.

Of course, we have an award-winning screenplay.

Filmmaker Michael R. Barnard has years of experience in film/TV production, including low-budget run-and-gun production. Research the filmmaker’s résumé, LinkedIn, and IMDb. (To be very frank and personal, my career got very bumpy after the triple-whammy of the Writers Strike, the Great Recession, and the death of my passion project. The Writers Strike destroyed my job on a new FOX TV Network series; the Great Recession destroyed signed contracts for me to produce three more feature films; and, my passion project, the feature film screenplay “EVERYBODY SAYS GOODBYE—The Story of a Father and Son,” died after more than a decade and a half of many ‘almost there’ efforts.)

Support us. This is the time.

We are now in an era when human relationships collapse under the shadows of differences and games played, and we need to return from that, to see the humanity in the relationships that surround us.

Spread the word, please. Indiegogo has great tools to help you share this.

In the practical sense, the deadlines for submission to top-tier film festivals, such as Sundance, where I’ve worked for a decade, SXSW in Austin, and others, are rapidly approaching in September. We need to have The MURDER of James Dean completed as soon as possible to submit to those festivals. That gives us only a few weeks to gather the green-light funds for production. It’s very doable, if this crowdfunding campaign succeeds.

This is the process for good short films. They are a work of love, a work of artistry, a work for opportunity for the future. Short films are not made to pursue commercial success. Crafting a short film that audiences love is the sure way to gain new audiences, career opportunities and potential for success with feature films and TV shows.

Your support will help create a wonderful movie and new careers. The fundraising campaign will be on Indiegogo soon. You can preview the campaign right now by clicking here.

Thanks!

 

#CASTING CALL

#ACTORS NEEDED for “The Murder of James Dean” shooting in early September in #Hollywood and #Fresno.
See https://igg.me/at/TheMURDERofJamesDean

ALL ROLES: Volunteer work for career advancement (short will submit to top-tier film festivals). Daily cash stipend depends on success of crowdfunding campaign, plus transportation/lodging, meals, IMDb credit.


MICHAEL, lead.

Experienced #male actor, 50ish white male, distressed about being an over-the-hill screenwriter now ignored by Hollywood, stuck in Fresno California after everything falls apart for him. Scenes will shoot in Hollywood and Fresno in early September, probably 4 days of shooting.


RAYMOND, lead.

Experienced #male actor, early 20s, ethnic (*not* looking like James Dean), distressed about being treated like a silly kid trying to get out of The Bronx and into Hollywood. Scenes will shoot in Fresno in early September, probably 2 days of shooting.


PAT, secondary lead.

Experienced actor, 30ish African American any #gender, thuggish-appearing wannabe filmmaker brought in to videotape an in-home interview. Scenes will shoot in Hollywood and Fresno, probably 3 days of shooting.


B.J., secondary lead.

Experienced actor, 20ish African American, any #gender / #genderfluid / #transgender, working with PAT to videotape an in-home interview. Scenes will shoot in Hollywood and Fresno, probably 3 days of shooting.


LUCY, day player.

Experienced actor, 50ish white #female, Michael’s older sister not having his failed ass hanging around her family home. Scene will shoot in Fresno. probably 1 day of shooting.

 

Submit headshot/resume to Casting ( AT ) TheMURDERofJamesDean ( DOT ) com

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The comedy short film “The MURDER of James Dean”


We are filmmakers; actors, director, cinematographer, crew members, producers. We are coming together from across the country – New York City, Fresno, Los Angeles – to make a smart, entertaining short film that you and Hollywood will enjoy.

I’m Michael Barnard.

The rest of our cast and crew are experienced in their field, as actors, cinematographer, crew, and need this opportunity to move up in Hollywood. As soon as you give us the green light, we will make commitments, schedules, and go into production on “The MURDER of James Dean.”

With your greenlight, we will produce a high-quality short film to submit to film festivals and share online. We have the right screenplay, we have the right people, we even have the right equipment. We need you to give us the greenlight so we can go into production and make “The MURDER of James Dean.” We hope to keep you entertained and happy, both with your participation in the production, and with our gifts of appreciation for your support. The film’s message of inclusion and struggle will touch people. And when fame comes, you’ll be with us.

It’s a comedy short film about real human emotions. In “The MURDER of James Dean,” Michael, a down-and-out, over-the-hill screenwriter struggles to regain his footing and the life he knew in Hollywood. It’s the struggle everyone fears.

At the same time, Raymond, a young wannabe film producer struggles to finally open a door of opportunity and a career in Hollywood. It’s the struggle everyone goes through.

Michael and Raymond are from different backgrounds, different ages, different cultures. Both strive to make their own future, using the other as a stepping stone to their goals. That’s the game everyone plays in Hollywood.

A wild conspiracy theory about the death of James Dean brings these two together. There are lots of conspiracy theories in the world, and both recognize this one as a great story that could be made into a great movie.

They have a unique connection to an elderly lawyer who was in Dean’s circle of friends long ago and claims to have proof of the conspiracy. He wants to finally spill the beans, and will tell only Michael and Raymond.

But, it doesn’t go well.

As they struggle to make it work, then watch the opportunity slip away out of their control, they battle each other. Anger, frustration, and fear boil to the surface as their Hollywood game unravels.

In the end, they finally recognize the human relationship that’s more important than the Hollywood games.

Michael is older, a white guy in his late 50s, treated like an over-the-hill has-been writer by Hollywood. Michael is stuck in Fresno after everything falls apart for him.

Raymond is younger, an Hispanic guy in his early 20s, treated like a silly kid from the wrong side of the tracks by Hollywood. Raymond is trying to get out of The Bronx.

Lucy is Michael’s older sister, and she’s just not having his failed ass hanging around her family home in Fresno.

Pat, black, 30ish, and filming partner B.J., black, 20ish (any gender M/F/T to be cast), get sucked into pursuit of the story when asked to film an interview of the man with the conspiracy theory.

And there’s that guy with the conspiracy theory…

Short films are calling cards, door openers for the film/TV business. Commercial and profitable opportunities for short films are still quite rare; the purpose of short films is to entertain audiences and to introduce the filmmakers, cast, and crew to the film/TV industry. A well-done short film can prove to the Hollywood gate-keepers, producers, distributers, and money people that the people who crafted a good short film can be trusted to make a bigger production. That’s the goal for those of us crafting the short film comedy The MURDER of James Dean.

(From “Short of the Week’s Andrew Allen on How to Make the Most of Your Short Film“)

The screenplay has already attracted awards-attention, which is rare for short film scripts. The people involved in the project have experience in production and need to expand their opportunities to go further. With The MURDER of James Dean, we will make an entertaining film that can be competitive on the film festival circuit and online. If the film attracts attention at film festivals and online, as the screenplay itself already has done in contests, we can expect audiences to enjoy it and Hollywood gatekeepers to open up to us. (Filmmaker Michael R. Barnard is in post-production, doing audio fixing, on his current short film “THE CAMERA,” and his previous short film, the ‘no-budget, one-day, one-location, two-people’ “HOT CAR” – consider it R-rated – has been viewed on YouTube more than a quarter-million times.)

For talented actors, a lead role in a well-made and popular short film can open up big opportunities in larger films and TV, expanding careers.

For talented crew in positions such as Director of Photography, Makeup, Sound, and other positions, proving themselves with excellent work using minimum resources can boost a career in film/TV production.

The MURDER of James Dean is likely to be published on IMDb, which is the de facto standard for film/TV credits, making the cast and crew visible and validated to the industry.

These are the reasons for cast and crew to volunteer as a labor of love and an exercise of their artistry to make a good short film. We offer a stipend to each member of the team. The size of our stipend depends on the success and over-funding of this crowdfunding effort.

Filmmaker Michael R. Barnard already owns the production gear necessary for good production of a short film. The equipment package is efficient and good quality; a Sony A7 full-frame mirrorless camera with 50mm f1.8 and 28-70mm f3.5-5.6 lenses plus various adapters and filters, coupled to an Atomos Ninja 2 4:2:2 ProRes recorder and monitor; a Comodo VB-1850 Orbit camera cage for shooting action on the run, a Rhino 48” camera slider, Tascam DAR with boom and microphones, various LED lights, and lightweight camera support and grip equipment. The filmmaker also already owns an editing system running Adobe Premier Pro, After Effects, Photoshop, and more for post-production.

Of course, we have an award-winning screenplay.

Filmmaker Michael R. Barnard has years of experience in film/TV production, including low-budget run-and-gun production. Research the filmmaker’s résumé, LinkedIn, and IMDb. (To be very frank and personal, my career got very bumpy after the triple-whammy of the Writers Strike, the Great Recession, and the death of my passion project. The Writers Strike destroyed my job on a new FOX TV Network series; the Great Recession destroyed signed contracts for me to produce three more feature films; and, my passion project, the feature film screenplay “EVERYBODY SAYS GOODBYE—The Story of a Father and Son,” died after more than a decade and a half of many ‘almost there’ efforts.)

Support us. This is the time.

We are now in an era when human relationships collapse under the shadows of differences and games played, and we need to return from that, to see the humanity in the relationships that surround us.

Spread the word, please. Indiegogo has great tools to help you share this.

In the practical sense, the deadlines for submission to top-tier film festivals, such as Sundance, where I’ve worked for a decade, SXSW in Austin, and others, are rapidly approaching in September. We need to have The MURDER of James Dean completed as soon as possible to submit to those festivals. That gives us only a few weeks to gather the green-light funds for production. It’s very doable, if this crowdfunding campaign succeeds.

This is the process for good short films. They are a work of love, a work of artistry, a work for opportunity for the future. Short films are not made to pursue commercial success. Crafting a short film that audiences love is the sure way to gain new audiences, career opportunities and potential for success with feature films and TV shows.

Your support will help create a wonderful movie and new careers.

Thanks!

 

The comedy short film “The MURDER of James Dean”


We are filmmakers; actors, director, cinematographer, crew members, producers. We are coming together from across the country – New York City, Fresno, Los Angeles – to make a smart, entertaining short film that you and Hollywood will enjoy.

I’m Michael Barnard.

The rest of our cast and crew are experienced in their field, as actors, cinematographer, crew, and need this opportunity to move up in Hollywood. As soon as you give us the green light, we will make commitments, schedules, and go into production on “The MURDER of James Dean.”

With your greenlight, we will produce a high-quality short film to submit to film festivals and share online. We have the right screenplay, we have the right people, we even have the right equipment. We need you to give us the greenlight so we can go into production and make “The MURDER of James Dean.” We hope to keep you entertained and happy, both with your participation in the production, and with our gifts of appreciation for your support. The film’s message of inclusion and struggle will touch people. And when fame comes, you’ll be with us.

It’s a comedy short film about real human emotions. In “The MURDER of James Dean,” Michael, a down-and-out, over-the-hill screenwriter struggles to regain his footing and the life he knew in Hollywood. It’s the struggle everyone fears.

At the same time, Raymond, a young wannabe film producer struggles to finally open a door of opportunity and a career in Hollywood. It’s the struggle everyone goes through.

Michael and Raymond are from different backgrounds, different ages, different cultures. Both strive to make their own future, using the other as a stepping stone to their goals. That’s the game everyone plays in Hollywood.

A wild conspiracy theory about the death of James Dean brings these two together. There are lots of conspiracy theories in the world, and both recognize this one as a great story that could be made into a great movie.

They have a unique connection to an elderly lawyer who was in Dean’s circle of friends long ago and claims to have proof of the conspiracy. He wants to finally spill the beans, and will tell only Michael and Raymond.

But, it doesn’t go well.

As they struggle to make it work, then watch the opportunity slip away out of their control, they battle each other. Anger, frustration, and fear boil to the surface as their Hollywood game unravels.

In the end, they finally recognize the human relationship that’s more important than the Hollywood games.

Michael is older, a white guy in his late 50s, treated like an over-the-hill has-been writer by Hollywood. Michael is stuck in Fresno after everything falls apart for him.

Raymond is younger, an Hispanic guy in his early 20s, treated like a silly kid from the wrong side of the tracks by Hollywood. Raymond is trying to get out of The Bronx.

Lucy is Michael’s older sister, and she’s just not having his failed ass hanging around her family home in Fresno.

Pat, black, 30ish, and filming partner B.J., black, 20ish (any gender M/F/T to be cast), get sucked into pursuit of the story when asked to film an interview of the man with the conspiracy theory.

And there’s that guy with the conspiracy theory…

Short films are calling cards, door openers for the film/TV business. Commercial and profitable opportunities for short films are still quite rare; the purpose of short films is to entertain audiences and to introduce the filmmakers, cast, and crew to the film/TV industry. A well-done short film can prove to the Hollywood gate-keepers, producers, distributers, and money people that the people who crafted a good short film can be trusted to make a bigger production. That’s the goal for those of us crafting the short film comedy The MURDER of James Dean.

(From “Short of the Week’s Andrew Allen on How to Make the Most of Your Short Film“)

The screenplay has already attracted awards-attention, which is rare for short film scripts. The people involved in the project have experience in production and need to expand their opportunities to go further. With The MURDER of James Dean, we will make an entertaining film that can be competitive on the film festival circuit and online. If the film attracts attention at film festivals and online, as the screenplay itself already has done in contests, we can expect audiences to enjoy it and Hollywood gatekeepers to open up to us. (Filmmaker Michael R. Barnard is in post-production, doing audio fixing, on his current short film “THE CAMERA,” and his previous short film, the ‘no-budget, one-day, one-location, two-people’ “HOT CAR” – consider it R-rated – has been viewed on YouTube more than a quarter-million times.)

For talented actors, a lead role in a well-made and popular short film can open up big opportunities in larger films and TV, expanding careers.

For talented crew in positions such as Director of Photography, Makeup, Sound, and other positions, proving themselves with excellent work using minimum resources can boost a career in film/TV production.

The MURDER of James Dean is likely to be published on IMDb, which is the de facto standard for film/TV credits, making the cast and crew visible and validated to the industry.

These are the reasons for cast and crew to volunteer as a labor of love and an exercise of their artistry to make a good short film. We offer a stipend to each member of the team. The size of our stipend depends on the success and over-funding of this crowdfunding effort.

Filmmaker Michael R. Barnard already owns the production gear necessary for good production of a short film. The equipment package is efficient and good quality; a Sony A7 full-frame mirrorless camera with 50mm f1.8 and 28-70mm f3.5-5.6 lenses plus various adapters and filters, coupled to an Atomos Ninja 2 4:2:2 ProRes recorder and monitor; a Comodo VB-1850 Orbit camera cage for shooting action on the run, a Rhino 48” camera slider, Tascam DAR with boom and microphones, various LED lights, and lightweight camera support and grip equipment. The filmmaker also already owns an editing system running Adobe Premier Pro, After Effects, Photoshop, and more for post-production.

Of course, we have an award-winning screenplay.

Filmmaker Michael R. Barnard has years of experience in film/TV production, including low-budget run-and-gun production. Research the filmmaker’s résumé, LinkedIn, and IMDb. (To be very frank and personal, my career got very bumpy after the triple-whammy of the Writers Strike, the Great Recession, and the death of my passion project. The Writers Strike destroyed my job on a new FOX TV Network series; the Great Recession destroyed signed contracts for me to produce three more feature films; and, my passion project, the feature film screenplay “EVERYBODY SAYS GOODBYE—The Story of a Father and Son,” died after more than a decade and a half of many ‘almost there’ efforts.)

Support us. This is the time.

We are now in an era when human relationships collapse under the shadows of differences and games played, and we need to return from that, to see the humanity in the relationships that surround us.

Spread the word, please. Indiegogo has great tools to help you share this.

In the practical sense, the deadlines for submission to top-tier film festivals, such as Sundance, where I’ve worked for a decade, SXSW in Austin, and others, are rapidly approaching in September. We need to have The MURDER of James Dean completed as soon as possible to submit to those festivals. That gives us only a few weeks to gather the green-light funds for production. It’s very doable, if this crowdfunding campaign succeeds.

This is the process for good short films. They are a work of love, a work of artistry, a work for opportunity for the future. Short films are not made to pursue commercial success. Crafting a short film that audiences love is the sure way to gain new audiences, career opportunities and potential for success with feature films and TV shows.

Your support will help create a wonderful movie and new careers.

Thanks!

 

My Bumpy Road Through “Hollywood” — Consumed by a Passion Project


FILMMAKER Magazine

FILMMAKER Magazine

Michael R Barnard photo 500 px

 

How Is a Filmmaker Consumed by a Passion Project?

The following is a guest post from Michael R. Barnard, who is in the final days of an Indiegogo campaign for his film, Everybody Says Goodbye: The Story of a Father and Son.

For many years, I have been chasing a motion picture project that has completely consumed me. It’s called Everybody Says Goodbye: The Story of a Father and Son, and I first began writing the screenplay in 1998. Having come so close to making the movie a few times, I keep referring to this project as “a fish-hook in the eye” because it’s impossible for me to ignore and walk away from.

[read more…]

http://imdb.me/michaelrbarnard
http://linkedin.com/in/michaelrbarnard

 

 

 

Equity Crowdfunding is dead for us. What’s next?


DEAD CAR Photo by Kristian Karlsson

DEAD CAR Photo by Kristian Karlsson


If you remember that there once was a glimmer of hope for more sustainable financing for innovative small business (and, for my concern, an indie film industry) through “Equity Crowdfunding” as demanded by the JOBS Act of 2012, the fact is that it’s not going to happen. It’s already far past the Act’s imposed deadlines because the concept is anathema to the entrenched and self-interested bureaucracy.
Continue reading

The independent filmmaking industry needs a new relationship with investors [UPDATED]


LONELY INVESTOR Photo by Alejandro Escamilla

LONELY INVESTOR Photo by Alejandro Escamilla


Prolific indie film producer Ted Hope, who spent the past year as Executive Director of the San Francisco Film Society (as of June 2015, a Production Executive at AMAZON STUDIOS), recently posted “Towards A Sustainable Investor Class: Accessing Quality Projects” as a call to build a healthy independent filmmaking industry. As always, he makes an astute and excellent comment about the big picture of indie filmmaking. We engaged in a conversation, and here’s my comment about the industry and investors: Continue reading

My Bumpy Road Through “Hollywood” — CROWDFUNDING SUCKS.


CROWDFUNDING SUCKS.

In the past two days, I’ve had some conversations that remind me that there is no “fun” in crowdfund. It is a necessary evil, borne of the collapse of the economy, possibly the only chance for the art of filmmaking to continue. That’s versus the marketing channel that is the current Hollywood studio approach, where a “movie” is whatever can be marketed.
A crowdfund campaign is all work, a harsh referendum on the person, spiritually debilitating and, of course, a death knell for a movie project more often than enabling. (Literally.) There is no fun in crowdfunding. It overtakes one’s life for a month or two.

BUT YESTERDAY…

Continue reading

From Slated.com: “The new ‘soft’ money” for making indie movies


This is very important information for filmmakers seeking funds for their movie projects, and explains the approach that has been surprising and frustrating for those indie filmmakers who are not interested in ROI (“Return on Investment”) or the investment aspect of filmmaking. (See my earlier blog, “Crowdfunding and ‘Hey Zach Braff STFU and pay for your own movie’“)

This article, “The new ‘soft’ money,” is from the investment funding site (not crowdfunding site) http://Slated.com, a closed environment for experienced filmmakers and investors interested in filmmaking.

—-

The new “soft” money

They may not have realized this but more than forty-six thousand individuals – many of them ordinary Americans with no prior film industry knowledge – had a direct bearing on what has been happening this past week thousands of miles away at the Cannes Film Festival. Not so much on the rain-sodden red carpet action, as on the business dealings that went on in the makeshift offices of the French film sales company Wild Bunch just a short distance away from that nightly fusillade of flashbulbs. For it is here that Zach Braff’s WISH I WAS HERE, a project only made viable by the $3.1 million that this multitude of individuals have pledged towards his total production costs, was being pitched to territorial distributors from around the world.

VIEW INFOGRAPHIC

Without that Kickstarter-enabled contribution, Braff’s long-gestating project would have remained stunted by the same market forces that have conspired to prevent him from directing a follow-up to his 2004 indie darling GARDEN STATE for close to a decade. “I have almost no foreign value,” he explained recently to the L.A. radio station KCRW. “I had done a TV show for ten years that doesn’t count. Garden State did well overseas. But not numbers that are going to show up on their algorithm.”

But throw in $3.1 million of non-recoupable crowd donations and the business calculus becomes so much more attractive. What would have been a reported $5.5 million package requiring quantifiable box office stars to make the numbers work, is now transformed into one costing less than half that amount and with a cast of characters played by actors Kate Hudson, Anna Kendrick, Josh Gad and Mandy Patinkin that could be chosen on creative grounds, rather than their overseas economic values. A ten-year lost cause has, in the space of just 31 crowdfunding days, flowered into one of the hotter projects pitched on the Croisette – a feat made all the more astonishing when you consider there were a total of 3,340 new projects unveiled for the first time at this year’s Cannes film market.

continue reading this valuable article on Slated.com

 

Crowdfunding and “Hey Zach Braff STFU and pay for your own movie” [UPDATED January 2014]


STFU ZACH BRAFF

STFU ZACH BRAFF

Why is there controversy about projects such as Rob Thomas‘s VERONICA MARS and Zach Braff‘s WISH I WAS HERE going to crowdfunding for the money to make their projects?

The surge in Perks-based Donor Crowdfunding over the past few years was primarily built on the concept that creative projects dreamed up by common folks with more ideas than money could go to each other rather than impenetrable banks or brokerages. The popular site Kickstarter (one of many) started in 2009 with the premise that such ideas, ones that were still good ideas even though they didn’t have a promise of likely profitability, could be brought to the public to allow the average person to help make the ideas into reality by donating money. This is a broad concept akin to what wealthy benefactors would do in ages past, when they became “patrons of the arts” by providing money so artists could create works of art.

Continue reading

The JOBS Act of April 2012 is a Failure for America.


THIS IS A MAJOR JOBS PROBLEM AND NEEDS OUR ATTENTION:

America needs good jobs. Joblessness and low-wage jobs have crippled the survival and prosperity of millions of Americans, and are a drag on our entire economy.

The promise of the JOBS Act, signed into law a year ago and supported by the most bi-partisanship effort in recent history, is DEAD because the Federal Securities and Exchange Commission (SEC) has failed to enact it.

The JOBS Act established a deadline of Wednesday, July 4, 2012, for the SEC to promulgate rules and regulations for the implementation of TITLE II—ACCESS TO CAPITAL FOR JOB CREATORS (commonly referred to as the “general solicitation rule“). The SEC missed that deadline. The agency did publish proposed rules for TITLE II on August 29, 2012, but has not implemented them. There is no anticipated date for finalizing the rules for Title II of the JOBS Act.

The JOBS Act established a deadline of Monday, December 31, 2012 for the SEC to promulgate rules and regulations for the implementation of TITLE III—CROWDFUND (commonly referred to as “Equity Crowdfunding“). The SEC missed the deadline, and has no anticipated date for the rulemaking to implement TITLE III.

AMERICA NEEDS JOBS! Hope from the JOBS Act of 2012 has been *crushed* by the SEC’s inaction and dismissal of the JOBS Act!

 

My Bumpy Road Through “Hollywood” — Is the INDIE FILM BIZ dead or not?


Did the Pythons have the indie film biz in mind when creating their masterpiece, Monty Python and the Holy Grail? Aside from the buffoonery of this so-called business, what else could have inspired the great scene, “I’m not dead”?
Continue reading